El Choclo
El Choclo|The Corncob
Also known as: El Choclo (tango)

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Con este tango que es de mi flor y que al nacer, allá en el bajo fue como el malevaje, el punga y el espiante y la mina, y el bacán, y el cafishio, y el gil. Con este tango que es de mi flor y que al nacer, allá en el bajo fue como el malevaje, el punga y el espiante y la mina, y el bacán, y el cafishio, y el gil. Carancanfunfa se hizo al mar con su comparsa de compadritos y en un baile de locos bajó, compadre, y nos bailó. Carancanfunfa se hizo al mar con su comparsa de compadritos y en un baile de locos bajó, compadre, y nos bailó. Viejo tango, qué lindo sos cuando te baila la piba linda y el malevaje te mira con ojos de querer. Viejo tango, qué lindo sos cuando te baila la piba linda y el malevaje te mira con ojos de querer. Carancanfunfa se hizo al mar con su comparsa de compadritos y en un baile de locos bajó, compadre, y nos bailó. Carancanfunfa se hizo al mar con su comparsa de compadritos y en un baile de locos bajó, compadre, y nos bailó.
With this tango, which is of my flower, and which, upon being born, there in the lowlands, was like the hoodlum, the pickpocket and the escape, and the broad, and the big shot, and the pimp, and the fool. With this tango, which is of my flower, and which, upon being born, there in the lowlands, was like the hoodlum, the pickpocket and the escape, and the broad, and the big shot, and the pimp, and the fool. Carancanfunfa went to sea with his troupe of tough guys and in a crazy dance he came down, buddy, and danced for us. Carancanfunfa went to sea with his troupe of tough guys and in a crazy dance he came down, buddy, and danced for us. Old tango, how beautiful you are when the pretty girl dances you and the hoodlums watch you with eyes of desire. Old tango, how beautiful you are when the pretty girl dances you and the hoodlums watch you with eyes of desire. Carancanfunfa went to sea with his troupe of tough guys and in a crazy dance he came down, buddy, and danced for us. Carancanfunfa went to sea with his troupe of tough guys and in a crazy dance he came down, buddy, and danced for us.
The translation aims to preserve the colloquial and 'lunfardo' (Buenos Aires slang) flavor of the original Spanish, which includes terms like 'malevaje', 'punga', 'mina', 'bacán', 'cafishio', and 'gil'.
El Choclo, meaning 'The Corncob' or 'The Ear of Corn', stands as one of the most iconic and enduring tangos in the history of Argentinian music. Composed by Ángel Villoldo in 1903, it emerged from the vibrant, often gritty, milieu of Buenos Aires' working-class neighborhoods, particularly the port areas where tango first took root. Villoldo, a prolific early tango composer and lyricist, initially conceived it as an instrumental piece, reflecting the raw energy and nascent structure of the genre at the turn of the 20th century. Its title is believed to be a reference to a local club owner or perhaps even a slang term for money or a person. The tango's initial reception was enthusiastic, quickly becoming a staple in the dance halls and cafés of the city, solidifying its place in the burgeoning tango tradition. Culturally, 'El Choclo' is far more than just a melody; it's a foundational pillar of Argentinian identity and a global ambassador for tango. Its enduring popularity is partly due to its evocative melody and its ability to capture the essence of early tango – a blend of melancholy, passion, and a touch of urban grit. While initially instrumental, the tango gained its most famous lyrical form in 1947, when Enrique Santos Discépolo penned the poignant and nostalgic words that are now almost universally associated with the piece. Discépolo's lyrics speak of the tango's humble origins, its connection to the 'malevaje' (hoodlums) and 'compadritos' (tough guys) of the port, and its power to evoke emotion and memory. It is a testament to the tango's journey from the margins to the mainstream, celebrated in milongas, concert halls, and cultural events worldwide. In performance, 'El Choclo' is typically rendered by a traditional tango orchestra, known as an 'orquesta típica', featuring instruments like the bandoneon (the soul of tango), piano, violin, and double bass. Guitars are also common, especially in more intimate or folk-oriented arrangements. The piece can be purely instrumental, allowing the dancers to interpret its rhythm and emotion, or it can be sung by a male or female vocalist, delivering Discépolo's evocative lyrics. It is a staple in milongas (tango dance events), where couples perform the intricate steps of Argentine tango, and in professional tango shows, where its dramatic flair is often highlighted. The tempo is typically a medium-fast 'madhya' pace, suitable for both listening and dancing, allowing for both expressive melodic lines and rhythmic drive. Today, 'El Choclo' remains an indispensable part of the tango repertoire, taught to aspiring dancers and musicians, and cherished by aficionados. Its timeless melody and powerful lyrics continue to resonate, embodying the spirit of Buenos Aires and the universal themes of nostalgia, love, and the passage of time. It has been adapted and reinterpreted by countless artists across various genres, from jazz to classical, ensuring its continued relevance. Swariti's preservation of this entry aims to honor its historical significance, cultural authenticity, and its profound impact on global music heritage, ensuring future generations can appreciate this cornerstone of Argentinian culture.
Historical Background
Composed in 1903 by Ángel Villoldo during the formative years of tango in Buenos Aires. It quickly became popular in the city's working-class neighborhoods and port areas. The most famous lyrics were added by Enrique Santos Discépolo in 1947, cementing its status as a lyrical masterpiece.
Cultural Significance
Considered one of the 'Big Four' tangos and a foundational piece of the genre. It symbolizes the golden age of tango and is a powerful emblem of Argentinian cultural identity, recognized globally as a quintessential tango.
Usage & Performance Context
Performed in milongas (tango dance halls), tango shows, concerts, cultural festivals, and as a staple in the repertoire of tango orchestras and vocalists. It is primarily associated with social dancing and artistic performances.
Who composed the music for 'El Choclo'?
The music for 'El Choclo' was composed by Ángel Villoldo in 1903. He was a prominent figure in the early development of tango music in Argentina.
Who wrote the most famous lyrics for 'El Choclo'?
The most widely known and performed lyrics for 'El Choclo' were written by Enrique Santos Discépolo in 1947, nearly 44 years after the instrumental piece was first composed.
What does 'El Choclo' mean in English?
'El Choclo' literally translates to 'The Corncob' or 'The Ear of Corn'. The exact origin of this title for the tango is debated, but it may refer to a person, a slang term for money, or a local club owner.
What is the cultural significance of 'El Choclo'?
'El Choclo' is considered one of the most important and foundational tangos, symbolizing the genre's golden age and its deep roots in Argentinian culture. It's a global ambassador for tango music and dance.
Is 'El Choclo' in the public domain?
Yes, both the music by Ángel Villoldo (composed 1903, Villoldo died 1919) and the famous lyrics by Enrique Santos Discépolo (written 1947, Discépolo died 1951) are in the public domain under international copyright laws.
Region
Buenos Aires, Argentina
Language
Spanish (Latin)
Themes
Contributor
Anonymous
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