Jai Adhyashakti Aarti
જય આદ્યશક્તિ|Jai Adhyashakti|Victory to the Primordial Power
Also known as: Jay Adhyashakti · Ambe Maa Aarti · Navratri Aarti · Gujarati Aarti

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જય આદ્યશક્તિ મા જય આદ્યશક્તિ, અખંડ બ્રહ્માંડ દીપાવ્યા, પઢવે પ્રગટ્યા મા. ૐ જય જય જય આદ્યશક્તિ. દ્વિતીયા બે સ્વરૂપ, શિવશક્તિ જાણું મા, બ્રહ્મા ગણપતિ ગાયે, હર ગાયે હર મા. ૐ જય જય જય આદ્યશક્તિ. તૃતીયા ત્રણ સ્વરૂપ, ત્રિભુવનમાં બેઠા મા, ત્રયા થકી તરવેણી, તું તારવેણી મા. ૐ જય જય જય આદ્યશક્તિ. ચોથે ચતુરા મહાલક્ષ્મી મા, સચરાચર વ્યાપ્યા મા, ચૌદ ભુવનમાં પ્રગટ્યા, ચૌદ ભુવનમાં મા. ૐ જય જય જય આદ્યશક્તિ. પંચમી પંચ ઋષિ, પંચમી ગુણ પદ્મા મા, પંચ તત્વ ત્યાં સોહે, પંચે તત્વ મા. ૐ જય જય જય આદ્યશક્તિ. ષષ્ઠી તું નારદ સૃષ્ટિ, ષષ્ઠી તું નારદ સૃષ્ટિ મા, ષટ દર્શન તું માતા, ષટ દર્શન તું મા. ૐ જય જય જય આદ્યશક્તિ. સપ્તમી સપ્ત પાતાળ, સંધ્યા સાવિત્રી મા, ગંગા ગાયત્રી ગૌરી, ગીતા ગાયત્રી મા. ૐ જય જય જય આદ્યશક્તિ. અષ્ટમી અષ્ટ ભુજા, આઈ આનંદા મા, સુરવર મુનિવર જનમ્યા, સુરવર મુનિવર મા. ૐ જય જય જય આદ્યશક્તિ. નવમી નવકુલ નાગ, સેવે નવદુર્ગા મા, નવરાત્રીના પૂજન, શિવરાત્રીના મા. ૐ જય જય જય આદ્યશક્તિ. દશમી દશ અવતાર, જય વિજયા દશમી મા, રામચંદ્રને પૂજ્યા, રામચંદ્રને મા. ૐ જય જય જય આદ્યશક્તિ. એકાદશી એકાદશ રુદ્ર, એકાદશી એકાદશ રુદ્ર મા, શિવશક્તિ તારું નામ, શિવશક્તિ તારું મા. ૐ જય જય જય આદ્યશક્તિ. દ્વાદશી દ્વાદશ રૂપ, મા તુજને નમું મા, બાળક ભક્ત તારા, બાળક ભક્ત મા. ૐ જય જય જય આદ્યશક્તિ. ત્રયોદશી ત્રિવેણી સંગમ, ત્રયોદશી ત્રિવેણી સંગમ મા, ગંગા જમુના સરસ્વતી, ગંગા જમુના મા. ૐ જય જય જય આદ્યશક્તિ. ચૌદશે ચૌદ લોક, મા તુજને નમું મા, ચૌદ ભુવનમાં વ્યાપી, ચૌદ ભુવનમાં મા. ૐ જય જય જય આદ્યશક્તિ. પંદરસે પંદર તિથિ, પંદરસે પંદર તિથિ મા, પંદર દિવસ પૂજન, પંદર દિવસ મા. ૐ જય જય જય આદ્યશક્તિ. સોળસે સોળ કળા, મા તુજને નમું મા, સોળ શણગાર સજીને, સોળ શણગાર મા. ૐ જય જય જય આદ્યશક્તિ. સહસ્ર ચક્ષુ ચંડી, સહસ્ર ચક્ષુ ચંડી મા, સહસ્ર બાહુ ભવાની, સહસ્ર બાહુ મા. ૐ જય જય જય આદ્યશક્તિ. મા તુજને નમું, મા તુજને નમું મા, સર્વ સુખ તારું નામ, સર્વ સુખ તારું મા. ૐ જય જય જય આદ્યશક્તિ. શિવશક્તિ તારું નામ, શિવશક્તિ તારું નામ મા, સર્વ સુખ તારું નામ, સર્વ સુખ તારું મા. ૐ જય જય જય આદ્યશક્તિ. જય આદ્યશક્તિ મા જય આદ્યશક્તિ, અખંડ બ્રહ્માંડ દીપાવ્યા, પઢવે પ્રગટ્યા મા. ૐ જય જય જય આદ્યશક્તિ.
जय आद्यशक्ति मा जय आद्यशक्ति, अखंड ब्रह्मांड दीपाव्या, पढवे प्रगट्या मा. ॐ जय जय जय आद्यशक्ति. द्वितीया बे स्वरूप, शिवशक्ति जाणूं मा, ब्रह्मा गणपति गाये, हर गाये हर मा. ॐ जय जय जय आद्यशक्ति. तृतीया तीन स्वरूप, त्रिभुवनमां बैठा मा, त्रया थकी तरवेणी, तूं तारवेणी मा. ॐ जय जय जय आद्यशक्ति. चौथे चतुरा महालक्ष्मी मा, सचराचर व्याप्या मा, चौद भुवनमां प्रगट्या, चौद भुवनमां मा. ॐ जय जय जय आद्यशक्ति. पंचमी पंच ऋषि, पंचमी गुण पद्मा मा, पंच तत्व त्यां सोहे, पंचे तत्व मा. ॐ जय जय जय आद्यशक्ति. षष्ठी तूं नारद सृष्टि, षष्ठी तूं नारद सृष्टि मा, षट दर्शन तूं माता, षट दर्शन तूं मा. ॐ जय जय जय आद्यशक्ति. सप्तमी सप्त पाताल, संध्या सावित्री मा, गंगा गायत्री गौरी, गीता गायत्री मा. ॐ जय जय जय आद्यशक्ति. अष्टमी अष्ट भुजा, आई आनंदा मा, सुरवर मुनिवर जनम्या, सुरवर मुनिवर मा. ॐ जय जय जय आद्यशक्ति. नवमी नवकुल नाग, सेवे नवदुर्गा मा, नवरात्रीना पूजन, शिवरात्रीना मा. ॐ जय जय जय आद्यशक्ति. दशमी दश अवतार, जय विजया दशमी मा, रामचंद्रने पूज्या, रामचंद्रने मा. ॐ जय जय जय आद्यशक्ति. एकादशी एकादश रुद्र, एकादशी एकादश रुद्र मा, शिवशक्ति तारूं नाम, शिवशक्ति तारूं मा. ॐ जय जय जय आद्यशक्ति. द्वादशी द्वादश रूप, मा तुझने नमूं मा, बालक भक्त तारा, बालक भक्त मा. ॐ जय जय जय आद्यशक्ति. त्रयोदशी त्रिवेणी संगम, त्रयोदशी त्रिवेणी संगम मा, गंगा जमुना सरस्वती, गंगा जमुना मा. ॐ जय जय जय आद्यशक्ति. चौदशे चौद लोक, मा तुझने नमूं मा, चौद भुवनमां व्यापी, चौद भुवनमां मा. ॐ जय जय जय आद्यशक्ति. पंदरसे पंदर तिथि, पंदरसे पंदर तिथि मा, पंदर दिवस पूजन, पंदर दिवस मा. ॐ जय जय जय आद्यशक्ति. सोळसे सोळ कळा, मा तुझने नमूं मा, सोळ शणगार सजीने, सोळ शणगार मा. ॐ जय जय जय आद्यशक्ति. सहस्र चक्षु चंडी, सहस्र चक्षु चंडी मा, सहस्र बाहु भवानी, सहस्र बाहु मा. ॐ जय जय जय आद्यशक्ति. मा तुझने नमूं, मा तुझने नमूं मा, सर्व सुख तारूं नाम, सर्व सुख तारूं मा. ॐ जय जय जय आद्यशक्ति. शिवशक्ति तारूं नाम, शिवशक्ति तारूं नाम मा, सर्व सुख तारूं नाम, सर्व सुख तारूं मा. ॐ जय जय जय आद्यशक्ति. जय आद्यशक्ति मा जय आद्यशक्ति, अखंड ब्रह्मांड दीपाव्या, पढवे प्रगट्या मा. ॐ जय जय जय आद्यशक्ति.
Victory to the Primordial Power, Mother, Victory to the Primordial Power, You illuminate the entire universe, Mother, you manifested on the first day. Om Jai Jai Jai Adhyashakti. On the second day, I know you as the two forms, Shiva and Shakti, Mother, Brahma and Ganesha sing your praises, Hara (Shiva) sings your praises, Mother. Om Jai Jai Jai Adhyashakti. On the third day, you sit in three forms, in the three worlds, Mother, Through the three, you are the confluence, you are the redeemer, Mother. Om Jai Jai Jai Adhyashakti. On the fourth day, you are the clever Mahalakshmi, Mother, pervading all animate and inanimate, You manifested in the fourteen realms, in the fourteen realms, Mother. Om Jai Jai Jai Adhyashakti. On the fifth day, you are the five sages, on the fifth day, you are the quality of Padma, Mother, There the five elements shine, in the five elements, Mother. Om Jai Jai Jai Adhyashakti. On the sixth day, you are Narada's creation, on the sixth day, you are Narada's creation, Mother, You are the mother of the six philosophies, you are the six philosophies, Mother. Om Jai Jai Jai Adhyashakti. On the seventh day, you are the seven netherworlds, Sandhya, Savitri, Mother, Ganga, Gayatri, Gauri, Gita, Gayatri, Mother. Om Jai Jai Jai Adhyashakti. On the eighth day, you are eight-armed, Mother Ananda (blissful one), Gods and sages are born from you, gods and sages, Mother. Om Jai Jai Jai Adhyashakti. On the ninth day, the nine clans of Nagas serve the Navadurga, Mother, Worship of Navratri, worship of Shivratri, Mother. Om Jai Jai Jai Adhyashakti. On the tenth day, you are the ten incarnations, Victory to Vijaya Dashami, Mother, Lord Ramachandra worshipped you, Lord Ramachandra, Mother. Om Jai Jai Jai Adhyashakti. On the eleventh day, you are the eleven Rudras, on the eleventh day, you are the eleven Rudras, Mother, Shiva-Shakti is your name, Shiva-Shakti is your name, Mother. Om Jai Jai Jai Adhyashakti. On the twelfth day, in twelve forms, Mother, I bow to you, Mother, Your children are devotees, your children are devotees, Mother. Om Jai Jai Jai Adhyashakti. On the thirteenth day, you are the confluence of three rivers, on the thirteenth day, you are the confluence of three rivers, Mother, Ganga, Yamuna, Saraswati, Ganga, Yamuna, Mother. Om Jai Jai Jai Adhyashakti. On the fourteenth day, you are the fourteen worlds, Mother, I bow to you, Mother, You pervade the fourteen realms, in the fourteen realms, Mother. Om Jai Jai Jai Adhyashakti. On the fifteenth day, you are the fifteen Tithis (lunar days), on the fifteenth day, you are the fifteen Tithis, Mother, Fifteen days of worship, fifteen days, Mother. Om Jai Jai Jai Adhyashakti. On the sixteenth day, you are the sixteen arts, Mother, I bow to you, Mother, Adorned with sixteen ornaments, with sixteen ornaments, Mother. Om Jai Jai Jai Adhyashakti. Chandi with a thousand eyes, Chandi with a thousand eyes, Mother, Bhavani with a thousand arms, Bhavani with a thousand arms, Mother. Om Jai Jai Jai Adhyashakti. Mother, I bow to you, Mother, I bow to you, Mother, All happiness is your name, all happiness is your name, Mother. Om Jai Jai Jai Adhyashakti. Shiva-Shakti is your name, Shiva-Shakti is your name, Mother, All happiness is your name, all happiness is your name, Mother. Om Jai Jai Jai Adhyashakti. Victory to the Primordial Power, Mother, Victory to the Primordial Power, You illuminate the entire universe, Mother, you manifested on the first day. Om Jai Jai Jai Adhyashakti.
The translation aims for literal accuracy while conveying the devotional sentiment. The repetitive structure of the Aarti, common in Gujarati devotional songs, is maintained. 'Ma' is translated as 'Mother'.
The 'Jai Adhyashakti' Aarti is a cornerstone of Gujarati devotional music, a powerful hymn dedicated to Ambe Maa, the Mother Goddess, who is revered as the primordial cosmic energy (Adhyashakti). While its exact authorship and date of composition are lost to antiquity, it is believed to have originated centuries ago in Gujarat, a region deeply steeped in the Shakta tradition. The Aarti's enduring popularity speaks to its profound cultural resonance, particularly among Gujarati-speaking communities worldwide. It is an anonymous composition, a testament to the collective devotion that shaped and preserved it through oral tradition before it was formally documented. Its lyrical structure, which enumerates the Goddess's forms and attributes through a numerical progression (from the first day/form to the sixteenth and beyond), reflects a deep understanding of Hindu cosmology and the multifaceted nature of the Divine Feminine. Culturally, 'Jai Adhyashakti' is synonymous with Navratri, the nine-night festival dedicated to the Goddess Durga. During this auspicious period, the Aarti is sung with immense fervor in homes, temples, and community gatherings (garba mandals) across Gujarat and wherever Gujaratis reside. It is an integral part of the daily puja (worship) during Navratri, often performed after the main rituals and before the lively Garba and Dandiya Raas dances. Beyond Navratri, it is also sung on other auspicious occasions, such as Chaitra Navratri, Ambaji Fair, and whenever devotees wish to invoke the blessings of the Mother Goddess. Its performance is a ritual in itself, believed to purify the atmosphere and invoke divine presence. The Aarti is typically performed by a group of devotees, often led by a priest or an elder. It is sung to the accompaniment of traditional Indian instruments such as the tabla, harmonium, dhol, and cymbals (manjira). The rhythmic clapping of hands by the devotees adds to the energetic and communal atmosphere. The singing style is devotional and congregational, often building in tempo and intensity towards the end. While there isn't a specific associated dance form for the Aarti itself, its performance often precedes or follows the Garba and Dandiya Raas dances, which are quintessential to Gujarati Navratri celebrations. The Aarti serves as a spiritual prelude or conclusion to these vibrant folk dances, grounding the festivities in devotion. Today, 'Jai Adhyashakti' remains a vibrant and living tradition. It is not just an ancient hymn but a dynamic part of contemporary Gujarati identity. Its timeless message of divine power, protection, and maternal love continues to inspire millions. Modern adaptations include orchestral versions, fusion music, and inclusion in films and television, ensuring its reach to younger generations. Efforts to preserve this Aarti involve its regular recitation in temples, teaching it to children in cultural classes, and documenting its various melodic interpretations. Swariti's archiving helps ensure its continued accessibility and appreciation for cultural preservation and multilingual understanding.
Historical Background
Originating centuries ago in Gujarat, India, this Aarti is an anonymous composition deeply embedded in the Shakta tradition. It evolved through oral tradition, becoming a staple of Gujarati devotional music. Its structure reflects ancient Hindu philosophical concepts of the Goddess's omnipresence and various manifestations.
Cultural Significance
A central piece of Gujarati cultural and religious identity, particularly during Navratri. It fosters community bonding, reinforces spiritual values, and connects generations to their heritage. It symbolizes the reverence for the Divine Feminine as the source of all creation and power.
Usage & Performance Context
Primarily sung during Navratri festival, especially after Garba and Dandiya Raas dances. Also performed during daily puja, Chaitra Navratri, Ambaji Fair, and other auspicious occasions dedicated to Goddess Ambe/Durga. Sung by devotees in homes, temples, and community gatherings.
जय आद्यशक्ति आरती गुजराती भक्ति संगीत का एक महत्वपूर्ण हिस्सा है, यह आदिमाता, शक्ति स्वरूपा माँ अम्बे को समर्पित एक शक्तिशाली भजन है, जिन्हें आदिम ब्रह्मांडीय ऊर्जा (आद्यशक्ति) के रूप में पूजा जाता है। यद्यपि इसकी सटीक रचना और लेखक का नाम अज्ञात है और यह सदियों पुराना है, ऐसा माना जाता है कि इसकी उत्पत्ति गुजरात में हुई थी, जो शाक्त परंपरा में गहराई से निहित क्षेत्र है। इस आरती की स्थायी लोकप्रियता इसके गहरे सांस्कृतिक महत्व को दर्शाती है, विशेष रूप से दुनिया भर के गुजराती भाषी समुदायों में। यह एक गुमनाम रचना है, जो उस सामूहिक भक्ति का प्रमाण है जिसने इसे मौखिक परंपरा के माध्यम से संरक्षित किया और इसे औपचारिक रूप से प्रलेखित किया गया। इसकी गीतात्मक संरचना, जो देवी के रूपों और गुणों को संख्यात्मक प्रगति (पहले दिन/रूप से सोलहवें और उससे आगे तक) के माध्यम से गिनाती है, हिंदू ब्रह्मांड विज्ञान और दिव्य स्त्री के बहुआयामी स्वरूप की गहरी समझ को दर्शाती है। सांस्कृतिक रूप से, 'जय आद्यशक्ति' नवरात्रि का पर्याय है, जो देवी दुर्गा को समर्पित नौ रातों का त्योहार है। इस शुभ अवधि के दौरान, गुजरात और जहां भी गुजराती रहते हैं, घरों, मंदिरों और सामुदायिक समारोहों (गरबा मंडलों) में आरती को अत्यधिक उत्साह के साथ गाया जाता है। यह नवरात्रि के दौरान दैनिक पूजा का एक अभिन्न अंग है, जिसे अक्सर मुख्य अनुष्ठानों के बाद और गरबा और डांडिया रास नृत्यों से पहले किया जाता है। नवरात्रि के अलावा, इसे अन्य शुभ अवसरों पर भी गाया जाता है, जैसे चैत्र नवरात्रि, अंबाजी मेला, और जब भी भक्त आदिमाता का आशीर्वाद प्राप्त करना चाहते हैं। इसका प्रदर्शन अपने आप में एक अनुष्ठान है, जिसे वातावरण को शुद्ध करने और दिव्य उपस्थिति का आह्वान करने वाला माना जाता है। आरती आमतौर पर भक्तों के एक समूह द्वारा की जाती है, जिसका नेतृत्व अक्सर एक पुजारी या एक बुजुर्ग करते हैं। इसे तबला, हारमोनियम, ढोल और मंजीरा जैसे पारंपरिक भारतीय वाद्ययंत्रों के साथ गाया जाता है। भक्तों द्वारा हाथों से तालियाँ बजाना ऊर्जावान और सांप्रदायिक माहौल को बढ़ाता है। गायन शैली भक्तिपूर्ण और सामूहिक होती है, अक्सर अंत की ओर गति और तीव्रता में वृद्धि होती है। यद्यपि आरती के लिए कोई विशिष्ट संबंधित नृत्य शैली नहीं है, इसका प्रदर्शन अक्सर गरबा और डांडिया रास नृत्यों से पहले या बाद में होता है, जो गुजराती नवरात्रि समारोहों के लिए सर्वोत्कृष्ट हैं। आरती इन जीवंत लोक नृत्यों के लिए एक आध्यात्मिक प्रस्तावना या निष्कर्ष के रूप में कार्य करती है, जो उत्सवों को भक्ति में आधारित करती है। आज भी, 'जय आद्यशक्ति' एक जीवंत परंपरा बनी हुई है। यह सिर्फ एक प्राचीन भजन नहीं है, बल्कि समकालीन गुजराती पहचान का एक गतिशील हिस्सा है। दिव्य शक्ति, सुरक्षा और मातृ प्रेम का इसका कालातीत संदेश लाखों लोगों को प्रेरित करता रहता है। आधुनिक अनुकूलन में ऑर्केस्ट्रल संस्करण, फ्यूजन संगीत, और फिल्मों और टेलीविजन में इसका समावेश शामिल है, जिससे इसकी पहुंच युवा पीढ़ियों तक सुनिश्चित होती है। इस आरती के संरक्षण के प्रयासों में मंदिरों में इसका नियमित पाठ, सांस्कृतिक कक्षाओं में बच्चों को इसे सिखाना और इसकी विभिन्न मधुर व्याख्याओं का दस्तावेजीकरण शामिल है। स्वरिति का अभिलेखागार सांस्कृतिक संरक्षण और बहुभाषी समझ के लिए इसकी निरंतर पहुंच और सराहना सुनिश्चित करने में मदद करता है।
What is 'Jai Adhyashakti Aarti'?
'Jai Adhyashakti Aarti' is a traditional Gujarati devotional hymn dedicated to Ambe Maa, the Mother Goddess, who is revered as the primordial cosmic energy (Adhyashakti). It is a prayer of praise and invocation.
When is 'Jai Adhyashakti Aarti' typically sung?
This Aarti is most prominently sung during the Navratri festival, a nine-night celebration of Goddess Durga. It is also performed during other auspicious occasions, daily pujas, and whenever devotees wish to honor the Mother Goddess.
What is the significance of 'Adhyashakti'?
'Adhyashakti' refers to the 'Primordial Power' or 'Original Energy' in Hindu philosophy. It represents the supreme cosmic energy that creates, preserves, and destroys the universe, embodying the ultimate divine feminine force.
Is 'Jai Adhyashakti Aarti' a public domain work?
Yes, 'Jai Adhyashakti Aarti' is widely considered to be in the public domain. Its ancient origins, anonymous authorship, and widespread cultural dissemination over centuries mean there are no known copyright claims.
What instruments typically accompany this Aarti?
Traditionally, 'Jai Adhyashakti Aarti' is accompanied by Indian musical instruments such as the tabla, harmonium, dhol, and cymbals (manjira). Devotees also clap their hands rhythmically, adding to the communal and energetic atmosphere.
Region
Gujarat, India
Language
Gujarati (Gujarati script)
Themes
Contributor
Anonymous
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