Komm, lieber Mai, und mache
Komm, lieber Mai, und mache|Come, dear May, and make
Also known as: Sehnsucht nach dem Frühlinge · Come, dear May
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Komm, lieber Mai, und mache Die Bäume wieder grün, Und laß uns an dem Bache Die kleinen Blümchen blühn! Wie wünsch ich mir so gerne Ein Blümchen nur so klein! Ach, lieber Mai, wie gerne Möcht ich im Grüne sein! O wär ich doch ein Vöglein Und flög in Gottes Welt, Und säng ein kleines Liedlein Auf grüner, freier Held! Ach, lieber Mai, wie gerne Möcht ich im Grüne sein! Und säng ein kleines Liedlein Auf grüner, freier Held! Wie sehn ich mich nach dir, Du lieber, lieber Mai! Und wenn du kommst, dann ist bei mir Der ganze Winter vorbei! Ach, lieber Mai, wie gerne Möcht ich im Grüne sein! Und wenn du kommst, dann ist bei mir Der ganze Winter vorbei! Ach, lieber Mai, wann kommst du Und machst die Felder grün? Und lässest uns die Blumen Am Bach und auf der Flur blühn? Ach, lieber Mai, wie gerne Möcht ich im Grüne sein! Und lässest uns die Blumen Am Bach und auf der Flur blühn?
Come, dear May, and make The trees green again, And let the little flowers Bloom for us by the brook! How I wish so much For just one little flower! Ah, dear May, how gladly Would I be in the green! Oh, if only I were a little bird And flew into God's world, And sang a little song On a green, open field! Ah, dear May, how gladly Would I be in the green! And sang a little song On a green, open field! How I long for you, You dear, dear May! And when you come, then for me The whole winter is over! Ah, dear May, how gladly Would I be in the green! And when you come, then for me The whole winter is over! Ah, dear May, when will you come And make the fields green? And let us have the flowers Bloom by the brook and in the meadow? Ah, dear May, how gladly Would I be in the green! And let us have the flowers Bloom by the brook and in the meadow?
The translation aims to be faithful to the original German, preserving the simple, longing tone for spring. Stanza breaks are maintained to reflect the original structure.
### Historical Background and Origin "Komm, lieber Mai, und mache" (Come, dear May, and make) is a beloved German folk song, composed by Wolfgang Amadeus Mozart in 1791 (K. 596). The lyrics are attributed to Christian Adolph Overbeck, a German poet and jurist. Mozart composed this song, also known as "Sehnsucht nach dem Frühlinge" (Longing for Spring), during the last year of his life. It was part of a collection of songs for children, reflecting a common theme in German Romanticism: a deep connection to nature and the changing seasons. Despite its composition by a classical master, its simple melody and accessible lyrics quickly led to its adoption into the German folk song repertoire, making it one of the most widely recognized German children's songs. ### Cultural Significance and Usage The song embodies the universal human longing for spring after a long, cold winter. In German-speaking cultures, the arrival of May symbolizes renewal, warmth, and the flourishing of nature. "Komm, lieber Mai, und mache" is primarily sung in spring, particularly in May, to welcome the season. It is a staple in kindergartens, schools, and family gatherings, often taught to children as one of their first songs. Its themes of green trees, blooming flowers, and the desire to be outdoors resonate deeply with the seasonal cycle and the joy it brings. It's not associated with specific rituals but rather with the general celebration of nature's awakening. ### Performance Context and Instruments Due to its folk song status, "Komm, lieber Mai, und mache" is typically performed in a simple, unaccompanied vocal style, often by children's choirs or individuals. When instruments are used, they are usually light and acoustic, such as a piano, guitar, or recorder, providing a gentle accompaniment that doesn't overshadow the melody or lyrics. Its structure is strophic, making it easy to learn and sing along. The song's charm lies in its directness and innocence, making it suitable for informal settings where community singing is encouraged. It's a song that evokes a sense of shared experience and collective anticipation for the warmer months. ### Modern Relevance and Preservation Today, "Komm, lieber Mai, und mache" remains an enduring part of German cultural heritage. It continues to be taught in schools, featured in children's songbooks, and performed at spring festivals and family events. Its simplicity ensures its longevity, easily passed down through generations. The song serves as a beautiful example of how classical compositions can transcend their original context and become integral to folk tradition. Its preservation is organic, sustained by its continuous use in education and informal singing. It reminds us of the timeless human connection to nature and the simple joys of seasonal change, making it a valuable piece in the Swariti archive for its cultural and historical significance.
Historical Background
Composed by Wolfgang Amadeus Mozart in 1791 (K. 596) with lyrics by Christian Adolph Overbeck. Part of Mozart's later works, it quickly became a popular folk song due to its simple, appealing melody and themes. Reflects the Romantic era's appreciation for nature.
Cultural Significance
A quintessential German children's song and folk tune, deeply embedded in the cultural fabric. It symbolizes the joy and anticipation of spring, passed down through generations. Represents a bridge between classical composition and popular folk tradition.
Usage & Performance Context
Sung primarily in spring, especially in May, to welcome the season. Popular in kindergartens, schools, family gatherings, and children's choirs. Celebrates the arrival of warmer weather and blooming nature.
Who composed 'Komm, lieber Mai, und mache'?
'Komm, lieber Mai, und mache' was composed by the renowned classical composer Wolfgang Amadeus Mozart in 1791, during the last year of his life. The lyrics are attributed to Christian Adolph Overbeck.
What is the meaning of 'Komm, lieber Mai, und mache'?
The title translates to 'Come, dear May, and make'. The song expresses a deep longing for the arrival of spring, wishing for green trees, blooming flowers, and the end of winter, symbolizing renewal and joy.
Is 'Komm, lieber Mai, und mache' a public domain song?
Yes, 'Komm, lieber Mai, und mache' is in the public domain. Both the composer, Mozart, and the lyricist, Overbeck, have been deceased for well over 70 years, making the work freely available for use.
When is 'Komm, lieber Mai, und mache' typically sung?
This song is primarily sung in spring, especially in May, to welcome the warmer season and the blossoming of nature. It is a popular choice in German kindergartens, schools, and family gatherings during this time.
What is the cultural significance of this song in Germany?
'Komm, lieber Mai, und mache' is a quintessential German children's song and folk tune, deeply embedded in the cultural fabric. It represents the joy and anticipation of spring and is a cherished part of German heritage, passed down through generations.
Region
Bavaria, Germany
Language
German (Latin)
Themes
Contributor
Anonymous
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